Ebook The Quality Instinct: Seeing Art Through a Museum Director's Eye
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The Quality Instinct: Seeing Art Through a Museum Director's Eye
Ebook The Quality Instinct: Seeing Art Through a Museum Director's Eye
Wir widmen immer auch Respekt Individuen Bedürfnisse der Bücher zu halten. Publikationen als eine ausgezeichnete Punkte Quellen in der Welt werden ständig benötigt, an jedem Ort und auch jedes Mal zu sein. Wenn Sie zusätzliche Quellen zu nehmen, halte Bücher nach wie vor die großen Kräfte. Eine der effektiven Bücher, die wir derzeit kredenzen werden, ist die The Quality Instinct: Seeing Art Through A Museum Director's Eye Es ist schicklich eine Publikation, die eine andere Erklärung als andere zur Verfügung stellt. Wenn viele Leute versuchen, mit, dass das interessante Thema, diese Art von Veröffentlichung zu erhalten, kommt diese Veröffentlichung für Sie ausgesetzt.
Pressestimmen
"Erudite and entertaining, Max Anderson is the perfect tour guide to the world of art. "The Quality Instinct" is both educational and enlightening from start to finish, the thinking person's guide to museums. This is a must-read for anyone who wants to truly understand what makes a masterpiece."--Daniel Silva, New York Times best-selling authorErudite and entertaining, Max Anderson is the perfect tour guide to the world of art. "The Quality Instinct" is both educational and enlightening from start to finish, the thinking person s guide to museums. This is a must-read for anyone who wants to truly understand what makes a masterpiece. --Daniel Silva, New York Times best-selling author"
Über den Autor und weitere Mitwirkende
Maxwell L. Anderson is the Eugene McDermott Director of the Dallas Museum of Art.
Produktinformation
Taschenbuch: 236 Seiten
Verlag: American Association of Museums (1. Februar 2012)
Sprache: Englisch
ISBN-10: 1933253673
ISBN-13: 978-1933253671
Größe und/oder Gewicht:
18,5 x 1,4 x 25,8 cm
Durchschnittliche Kundenbewertung:
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Amazon Bestseller-Rang:
Nr. 559.397 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
Imagine being given a private tour through the world’s most important museum by a charming and knowledgeable insider; ushered into rooms you didn’t know existed, shown the often-infinitesimal differences between a fake and a masterpiece, entertained with captivating stories and enlightened by a connoisseur’s insight about the attributes of all priceless art; be it a bust by Gian Lorenzo Bernini or a quilt from Gee’s Bend, Alabama.This marvelous book holds your hand and guides you from “I don’t know much about art but I know what I like†to “I know what I like and I can clearly articulate whyâ€. It's generous in the way that the best books by experts are; it gives the reader/viewer a sense of confidence and the nerve to envision that with enough study and enthusiasm, mastery might be within reach.
If you are curious about the world of art, especially the relationship between the museum director or curator, the academic art historian, the art dealer/auctioneer, and collector, this will be a rare, insightful and candid view.Maxwell Anderson grew up with an unusual education, in retrospect seemingly tailor-made for his vocation. He cut his curatorial teeth at the Met, directed the Whitney, and most recently is Director of the Dallas Museum of Art. This very readable account of his experiences is at times a bit self-congratulatory, but not in an offensive way for me. The writing is generally good, a bit uneven at times, but eminently readable and enjoyable for anyone with even a passing interest in the subject.
Extremely well written - approaches art from the standpoint of defining quality, artistic interpretation, use of materials, revelance to the history of the visual arts and personal appreciation.Does not use the 'usual' suspects for discussion - selects works that truly reflect artistic integrity in all of it's many guises.
This man's style of writing is exquisite, plus we are led to understand his development of comprehending "good, better, best" with respect to art.
The five features of what constitutes "quality" are appropriate and well thought out, but subjective which, in turn, makes the entire discussion of what constitutes quality moot. Also, the author spends a lot of effort in self-aggrandizement telling us how he found important works that others had missed, placed them in time through his extensive knowledge of classical art, etc. If you get the message on the five caracteristics, the rest is fluff.
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